MEXICO. Almudena Lobera “Véase ibíd.” 8 september – 3 november 2018. Galería Arróniz
“Véase ibíd.” refers us to the thing immediately previous and invites us to look attentively at it. Maybe it's something that we just observed on the street, or something we were thinking about a minute ago, before arriving at the gallery. Ibíd. seems to tell us: the[...]
BIRMINGHAM AL. Gema Álava “Hexagons” 7 september – 19 october 2018. Maus Contemporary
In Hexagons, Gema Álava's first solo exhibition at Maus Contemporary, the Spanish-born, New York-based artist presents incredibly subtle and beautiful commentaries on gender, power, movement, and the crowd mind. Exhibiting mixed-media paintings — works built and layered from a palette of materials including, in part,[...]
PARIS. Joan Miró “Femmes, oiseaux et monstres…” 6 september – 10 october 2018. Galerie Lelong
Coincidingwith the retrospective organised by Jean-Louis Prat at the Grand Palais in Paris, Galerie Lelong & Co is presenting a selection of works on paper from two decades (1930-1950), a period where the artist’s work reached its full expression. The bilingual exhibition catalogue (French[...]
CASTILLON (FR) “Ernst Fuchs and Beatriz Moreno, a timeless dialogue” 15th september – 7th october 2018. Castel Caramel
A meeting of two souls linked through time and space : Ernst Fuchs (1930-2015) and Beatriz Moreno (1971). Two artists who never met in real life – neither of them knew of the existence of the other, however… Could it be part of an[...]
SAO PAULO. Antonio Ballester Moreno “Common sense” 7 sep – 9 dec, 2018. 33rd Bienal de São Paulo
Antonio Ballester Moreno (Madrid, Spain, 1977) approaches his curatorial project for the 33rd Bienal de São Paulo as a way of contextualising a universe based in the close relationship between biology and culture, with references to the history of abstraction and its interplay with[...]
DALLAS. “Dalí: Poetics of the small 1929 – 1936” september 09 2018 — january 06, 2019 Meadows Museum
Research undertaken upon the Meadows’ 2014 acquisition of Salvador Dalí’s painting The Fish Man (L’homme poisson, 1930) opened doors to areas within Dalí’s 1930s oeuvre worthy of further study; foremost among them, Dalí’s propensity for painting on a small scale. Dalí: Poetics of the Small, 1929-1936 is the first exhibition[...]