MADRID. Rogelio López Cuenca “Keep Reading, Giving Rise” 3 April – 26 August 2019. Museo Nacional Centro de Arte Reina Sofía.
Since the beginning of his artistic career in the 1980s, Rogelio López Cuenca (Nerja, 1959) has worked at the crossroads between the visual arts and the mass media. Taking writing off the page, he has exercised his own visual poetry that operates inside the[...]
PARIS ”Calder-Picasso” 19 February – 25 August 2019. Musée Picasso.
Alexander Calder and Pablo Picasso – two of the most seminal figures of twentieth-century art – innovated entirely new ways to perceive grand themes. While the resonances between them are filled with endless possibilities, a key connection can be found specifically in their exploration[...]
BREMEN “The fragrance of images” Until 22 april 2019. Instituto Cervantes and Städtische Galerie Delmenhorst.
This exhibition presents a selection of works carefully brought together to demonstrate the association between smell, memory and the construction of visual language. It is a basic human instinct to document, preserve, and materialize experience, often translated and existing as an archive of sorts,[...]
PARIS. “Picasso and war” 5 april – 28 july 2019. Musée de l’Armée.
Picasso always claimed that his work was his "journal", a personal and secret journal that recounted his private life. As the 20th century unfolded, with its two world wars and rising totalitarianism, he related the tragedy of contemporary life through this journal. Although Picasso’s[...]
NEW YORK. Fernando Sancho “Pablo Heras: At Home in the whole World” 4 – 28 april 2019. Instituto Cervantes.
Spanish photographer Fernando Sancho presents a series of images that display the work of the conductor Pablo Heras Casado behind the scenes. Although frozen in time, a picture can provoke the same feeling as music does. Not for nothing, both arts share a common[...]
BERLIN. Elena Alonso Fernández “Ay mija, it’s not easy!” 24 april – 11 may 2019. Rosalux Art Space.
The project portrays, from Cuban’s people perspective, the peak of social change in their country since the fall of the Soviet Union in the 1990s. Ay mija! denies the idea of an homogeneous collective identity, and embrace s instead the polyphony and contradictions present[...]