Oscar Costa OMÚ
METAPHYSICAL EXPRESSIONISM
My base is on experiences of the subconscious, of irrefutable truth, the universal certainty that is impermanence, transcending ordinary life with the resurrection of humble, forgotten matter. Paroxysm of everyday reality from an Epicurean perspective, with Dadaist reminiscences. Each common object conveys an exquisite luxury,of which we are aware and where we assume our fate. In the unconscious mind; there is the creative factor, the reservoir of all energy, the past, present and future.
I begin with a series of errors, and correction on the part of feeling, until what I was looking for shines before me. I subjugate quantum physics, entropy, the poetics of the ephemeral, as the genesis and meaning of the spirituality in art. The figure hinders, does not permit an imitation of external nature. The painting becomes an event, an alchemical ritual, where the viewer must find, based on his previous sensory perceptions, sensitivity and aesthetic experiences, a meaning that symbolizes a common morality. A reflection or rationalization, adapted to a critical and contemporary ideal of beauty with a “free spirit”, is required.
The artist glimpses, exhorts existential problems through ontological solutions, without being controlled by accepted norms. The essence of being is its becoming, not being in itself. Re-educating consciousness provokes a reason for why art is completely conformed, it all is about us and is inherent with that object, with a romantic impulse of amiable social denunciation, with the desire to intensify expression through action and gesture, the color as a particle that dances in cellular disorder around the released fabric, build an exciting present, a metaphor of self-assertion with unpredictable but existential results.
Finding a creative principle, that is not an imposed style or technique, is the goal.
The protagonism of the process has the same significance as the result itself, attached to an emotional content that invites us to be exactly how I feel in that moment; It is up to the observer to decipher it. The painting becomes a wall or a mundane town square with a vision not only visual, also tactile, musical, fragrant.
The conceptual doubt is usually the same: “this can be done by a child.” My answer is no; provided that it contains: spontaneity, originality and scarcity. There is an internal connection that is difficult to argue about.
The bottom line does not lie in judging whether an opera is good or not; time will take care of that. Others shall have to predict.
The aesthetic, philosophical, cultural or social values present are linked to appearance, and to the premeditated use or abuse of the material. Its transformation has an impact on motivation and aesthetic dialogue. It requires an intense reflection on the authenticity of the work in itself..
Curriculum Vitae
METAPHYSICAL EXPRESSIONISM
Cognitive teacher of the understanding of art as the meaning of life and the ontological solution by Öscar OMÚ”
Existence.
I was born in America by Splash
Prince of epicurean expression.
Philosopher of aesthetics.
Outlaw poet.
Iconographer, iconologist, art critic.
Bullfighter for beauty.
Sensitivity and intuition activist.
Member of the brotherhood of the impermanent King of the “non-finite” and non-compliance with the rules established in art.
Elder brother of the unconscious and of spontaneity
Spokesperson for primitive and unexpressed emotions.
I am a work in progress.
Pirate of humble matter.
Honorable Knight of the inner beauty to be discovered.
Mediator between art and its social function.
Privileged person of the creative process as a tribal and totemic ritual.
Graduated from “Élan Vital” and “Tempus fugit”.
Marquis of the non-ideal of classical parameters as good morality.
Teacher in the self of the present who no longer is Creator of human reality without dramatizations or idealizations
