The show Adrià Julià: Not Even the Dead Will Survive, the first solo exhibition of the artist, born in Barcelona in 1974, to be held in Brazil. The show is curated by Fernanda Pitta, the museum’s curator, and artworks will be displayed on the [...]
Raúl Díaz Reyes (Madrid 1977) His work breaks the frontiers between disciplines, taking us into a decisive contemporaneity, in which all languages drift away from the standard and invite us to knock into shape a panoramic look of our surroundings. The union that is [...]
The career of Antoni Tàpies (1923-2012) holds a position of enormous relevance within the context of international art during the second half of the twentieth century. As such, his work is part of those currents in Europe that searched for new ways of expression [...]
Blasco combines architecture, photography and installation to explore themes of vision and perception in relation to physical experience. Using digital photography and common building materials to assemble three-dimensional constructions that reconstruct interior spaces and outdoor environments culled from the artist’s personal New York cityscape. [...]
The aim of ’50 Years of Realism – From Photorealism to Virtual Reality’ is to present to the Brazilian audience a rich exhibition of a few well-established contemporary hyperrealist artists working today, some of whom are showing their work in Brazil for the first [...]
Antonio Ballester Moreno (Madrid, Spain, 1977) approaches his curatorial project for the 33rd Bienal de São Paulo as a way of contextualising a universe based in the close relationship between biology and culture, with references to the history of abstraction and its interplay with [...]
Steegmann Mangrané’s works often unsettle the conventional ways in which art is seen or felt; examples include his virtual reality–based project Phantom (2015) and his subtler drawings and sculptures that entwine light, color, and the architecture of the venues they are displayed in. In its emphasis [...]
Sara Ramo (Madrid. Spain. 1975) explores notions of order and disorder by recording banal actions, that become surreal interventions in intimate, domestic settings. Strongly informed by performance art, Ramo sometimes appears in her own works. Using film, installations and photography, she is inspired by [...]
