BARCELONA. “Carlos Pérez Siquier”14 february – 15 may 2020. Fundación MAPFRE Casa Garriga Nogués Exhibition Hall.

Carlos Pérez Siquier (1930), a leading figure in the forging of photographic modernism and the professionalizing of this medium in Spain, enjoys a prominent place on the Spanish scene, firstly for his neorealism work and later as a pioneer of color photography. Pérez Siquier acts from a privileged peripheral position on the sidelines in both these disciplines, with a unique perspective that is fully mindful of his own authorship despite having started out with an intuitive understanding of photography more similar to that of a passerby than of a portraitist.

The essence of what makes Carlos Pérez Siquier’s photography so valuable and interesting is the attention he pays to the real world around him, a world to which he has devoted his entire extensive career. The seemingly contradictory nature of his radical changes of topic and his shift from black and white to color disappears when we analyze his work and uncover its clear-eyed consistency. His innovative approach, an ability to see the possibilities where seemingly there are none and his passion for photography all help make up one of the most powerful and important bodies of Spanish photography work of the last few decades. Pérez Siquier is not a photographer who constantly looks from one side to the other, instead he constructs his own world without attempting to follow a traditional format. Step by step he creates a compact work in constant evolution: an original, extraordinary, local, small, reduced and yet at once universal world, which has given meaning to his life.

Throughout his career, which led to him receiving the 2003 National Photography Prize, this photographer has created a photographic corpus that participates in the debates of the times in a tangential yet also profound and scathing way. His photographic series are populated by the periphery of society, the visual alterations arising out of Franco-era developmentalism, the cultural shock produced by the massive influx of foreign tourists to Spain, and his recent withdrawal into a more personal domain.

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Fundación MAPFRE Diputació, 250. 08007 Barcelona

Image: Carlos Pérez Siquier. Marbella, 1974 © Carlos Pérez Siquier